gmtoday.com


Risque business

By Jim Cryns
Published March 1, 2004

Risque business

Is high school dress - or lack thereof -
out of control?

A long time ago, in a galaxy not so far away, female students in local high schools wore billowy shirts with bows, monogram sweaters to the chin, plaid skirts to their ankles.

Today, young women tend to be the focal point of the current clothing trend of "less is more." You’ll have no problem spotting the young man amplifying the color of his boxer shorts as he crosses the street in front of your car, the same kid who refuses to pull his jeans to their proper place on his hips. But it’s not the same eye-popping revelations in which teenage girls seem to engage. The truth is, the role models are different today.

A tight shirt combined with no brassiere has been clinically proven to take a young man’s mind off a trigonometry exam. A hip-hugging pair of jeans with red thong lacy underwear around young girl’s waist is enough to bring a testosterone-laden boy to tears.

Katie Brooks, Shelly Bagga, Jon Stone and Wale Adedokun are seniors at Homestead High School in Mequon. During a recent candid conversation in a school conference room, the students conveyed a sense of awareness but not what you’d call a sense of urgency.

"There are specific offenders that you see all the time, and there’s a lot of skin showing all of the time," Adedokun said, "The ‘crack’ is the new style, I notice that every day. In every class, there is someone that doesn’t wear underwear."

According to Adedokun, the pressure regarding manner of dress is more intense for girls. "I think the way kids dress is just what happens in high school. I think parents should try to be more in charge, the parents have more of a responsibility than the school in this situation."

Classmate Katie Brooks argues that students aren’t oblivious to the way some kids choose to dress and occasionally some good-natured barbs are offered.

Brooks and the other students feel things have changed drastically since they were freshmen. "Some of the girls in our class when we started four years ago were thought to be wearing short skirts," Brooks said. "Compared to today, that’s nothing. I think some teachers that have daughters are probably thinking they don’t want their daughters to dress like that."

The Homestead students said they know of female students who bring a bag of clothing to school and change once they leave the house. "I don’t think some of (the students) realize how they’re are dressing," Brooks said. "They just see it as a style, ‘this looks cute, I’m going to wear it.’ This is a sign of the times. This is what teenagers are being shown, this is what they’re buying."

Shelly Bagga doesn’t think the situation warrants a mandate or dress code from the school administration. "I think the school should place the emphasis on consistency. If they’re going to make a policy, stick with it," Bagga said.

"When a girl comes to school in her underwear, then there may be a need to dictate policy. Sometimes I wonder if we’re so used to it that it doesn’t bother us. We’re OK with it. I think it bothers female teachers because they are more conservative. They think you can have a good high school experience without putting yourself on display."

"I think if a guy likes a girl only because she dresses in a provocative manner, then he’s probably not the guy you want to be with anyway," Bagga said. "It shows a measure of a person’s character. If you wear too little, it’s a way of getting attention. Guys aren’t stupid, they may drool, but they probably don’t want a girl like that to be their girlfriend."

"Sometimes I wonder why parents aren’t saying anything,’ Bagga said. "When you show so much skin, it’s not attractive anymore, there’s no appeal."

Teachers can reach their limits. "Someone was just sent home for the way they were dressed," Jon Stone recalled. "You wonder how they get out of the house with some of the stuff they wear."

"Times have changed, the role models have changed," says Ameeta Bagga, Shelly’s mother. "Madonna and Britney Spears seem to be the women girls look up to." Ameeta views the sparse clothing as a bit of an annoyance, but nothing to be too alarmed about. "It’s not the end of the world; there’s more of an acceptance today. The kids are fine, they accept each other. I have a lot of faith and respect for my daughter and most of her friends have similar values."

To the west at Brookfield East High School, the problems with fashion are not only felt, but understood in a larger context.

Brookfield East High School holds strong to its dress code. Tank top straps have to be two fingers wide and no midriffs can be on display. Halter tops and tube tops are also on the list of banned clothing. According to the students, last year the staff was very strict with these rules, sending home or suspending any violators. Senior Liz Ambrosius believes that these rules, while important, can be a bit ridiculous, as there is nothing in regards to cleavage, both of the rear end and breasts. In her opinion, it is not the size of the strap that matters, but the general appearance of the outfit.

Ambrosius and fellow seniors Emily Freer, Mike Weinhammer, Jordan Stenzel and Brandon White all see the bigger picture that combines a younger generation with pop culture. "Society says ‘less clothing, the better,’ you know," said White.

How does this influence high schoolers exactly? According to these students, this hits high school freshman and sophomores the hardest. In an attempt to get noticed, some lower classmen will wear anything to make a statement. "It has to do with them fitting in. They justÉ they have a mindset coming into high school from TV and Hollywood," said Weinhammer. Ambrosius agreed, saying, "If you want to stand out as a freshman and catch the attention of older people, you’re going to have to do something to make you stand out and, honestly, appearance is the first thing you can do to get someone’s attention."

"Butt cleavage" is not only popular in Mequon, but Brookfield as well, as all of the students from Brookfield East giggle at the absurdity of such a thing.

Freer believes that there is a difference between wanting to be stylish and ending up looking "slutty." Flaunting is the key, and everyone here knows it. "It may be sad to say, but they form opinions and make judgments about you, you know, looking at the way you dress," said Weinhammer.

A girl may dress a certain way, wearing revealing clothes that don’t leave enough to the imagination. These girls are judged, opinions are formed and a reputation can be made or lost in a high school minute. And while all of these students agree that girls don’t have to dress skimpy to get a boyfriend, dressing skimpy can turn heads.

It seems as though there is a huge gray area when deciding what is acceptable and what is not.

According to Ambrosius, a gorgeous girl with a great body can get away with wearing skimpier clothes. A pretty girl wearing normal clothes may look nice, but not get the same kind of social acceptance and status as her skimpier-dressed counterpart.

Where do we draw the line? Is there a point where even peers believe clothing is unacceptable? According to Freer, a line is crossed when girls wear skimpy clothes that are too small for their bodies. Size does matter, and in this case, the more appropriate, the better. For Ambrosius, going too far is when teens try to dress like New York fashion models, trying to be who they are not.

According to all five students, society is reaching a point of pushing the fashion envelop too far. Stores are now marketing skimpy clothing to little girls through such stores as Abercrombie 2 and The Limited, Too. As Ambrosius put it, the same miniskirts that

15-year-old girls in high school are wearing are now being sold to eight-year-old girls. This trend is verging on dangerous. Stenzel sums it up best, as he doesn’t want to see little kids dressed in skimpy clothes; simply, he doesn’t want "any more R. Kelly’s" running around.

Ambrosius agrees, believing "it’s kind of creepy." Where does fashion go from here? Toward wearing only loin clothes, jokes White. Stenzel sums it up, saying, "yeah, I see it as a problem, but, it’s gonna keep selling, soÉ"

All teens agree, they are used to the way their peers dress, admitting that much of the shock value is gone.

 
 




Risque business
Is high school dress - or lack thereof - 
out of control?

By JIM CRYNS 

March 1, 2004


A long time ago, in a galaxy not so far away, female students in local high schools wore billowy shirts with bows, monogram sweaters to the chin, plaid skirts to their ankles.

Today, young women tend to be the focal point of the current clothing trend of "less is more." You’ll have no problem spotting the young man amplifying the color of his boxer shorts as he crosses the street in front of your car, the same kid who refuses to pull his jeans to their proper place on his hips. But it’s not the same eye-popping revelations in which teenage girls seem to engage. The truth is, the role models are different today.

A tight shirt combined with no brassiere has been clinically proven to take a young man’s mind off a trigonometry exam. A hip-hugging pair of jeans with red thong lacy underwear around young girl’s waist is enough to bring a testosterone-laden boy to tears.

Katie Brooks, Shelly Bagga, Jon Stone and Wale Adedokun are seniors at Homestead High School in Mequon. During a recent candid conversation in a school conference room, the students conveyed a sense of awareness but not what you’d call a sense of urgency.

"There are specific offenders that you see all the time, and there’s a lot of skin showing all of the time," Adedokun said, "The ‘crack’ is the new style, I notice that every day. In every class, there is someone that doesn’t wear underwear."

According to Adedokun, the pressure regarding manner of dress is more intense for girls. "I think the way kids dress is just what happens in high school. I think parents should try to be more in charge, the parents have more of a responsibility than the school in this situation."

Classmate Katie Brooks argues that students aren’t oblivious to the way some kids choose to dress and occasionally some good-natured barbs are offered.

Brooks and the other students feel things have changed drastically since they were freshmen. "Some of the girls in our class when we started four years ago were thought to be wearing short skirts," Brooks said. "Compared to today, that’s nothing. I think some teachers that have daughters are probably thinking they don’t want their daughters to dress like that."

The Homestead students said they know of female students who bring a bag of clothing to school and change once they leave the house. "I don’t think some of (the students) realize how they’re are dressing," Brooks said. "They just see it as a style, ‘this looks cute, I’m going to wear it.’ This is a sign of the times. This is what teenagers are being shown, this is what they’re buying."

Shelly Bagga doesn’t think the situation warrants a mandate or dress code from the school administration. "I think the school should place the emphasis on consistency. If they’re going to make a policy, stick with it," Bagga said.

"When a girl comes to school in her underwear, then there may be a need to dictate policy. Sometimes I wonder if we’re so used to it that it doesn’t bother us. We’re OK with it. I think it bothers female teachers because they are more conservative. They think you can have a good high school experience without putting yourself on display."

"I think if a guy likes a girl only because she dresses in a provocative manner, then he’s probably not the guy you want to be with anyway," Bagga said. "It shows a measure of a person’s character. If you wear too little, it’s a way of getting attention. Guys aren’t stupid, they may drool, but they probably don’t want a girl like that to be their girlfriend."

"Sometimes I wonder why parents aren’t saying anything,’ Bagga said. "When you show so much skin, it’s not attractive anymore, there’s no appeal."

Teachers can reach their limits. "Someone was just sent home for the way they were dressed," Jon Stone recalled. "You wonder how they get out of the house with some of the stuff they wear."

"Times have changed, the role models have changed," says Ameeta Bagga, Shelly’s mother. "Madonna and Britney Spears seem to be the women girls look up to." Ameeta views the sparse clothing as a bit of an annoyance, but nothing to be too alarmed about. "It’s not the end of the world; there’s more of an acceptance today. The kids are fine, they accept each other. I have a lot of faith and respect for my daughter and most of her friends have similar values."

To the west at Brookfield East High School, the problems with fashion are not only felt, but understood in a larger context.

Brookfield East High School holds strong to its dress code. Tank top straps have to be two fingers wide and no midriffs can be on display. Halter tops and tube tops are also on the list of banned clothing. According to the students, last year the staff was very strict with these rules, sending home or suspending any violators. Senior Liz Ambrosius believes that these rules, while important, can be a bit ridiculous, as there is nothing in regards to cleavage, both of the rear end and breasts. In her opinion, it is not the size of the strap that matters, but the general appearance of the outfit.

Ambrosius and fellow seniors Emily Freer, Mike Weinhammer, Jordan Stenzel and Brandon White all see the bigger picture that combines a younger generation with pop culture. "Society says ‘less clothing, the better,’ you know," said White.

How does this influence high schoolers exactly? According to these students, this hits high school freshman and sophomores the hardest. In an attempt to get noticed, some lower classmen will wear anything to make a statement. "It has to do with them fitting in. They justÉ they have a mindset coming into high school from TV and Hollywood," said Weinhammer. Ambrosius agreed, saying, "If you want to stand out as a freshman and catch the attention of older people, you’re going to have to do something to make you stand out and, honestly, appearance is the first thing you can do to get someone’s attention."

"Butt cleavage" is not only popular in Mequon, but Brookfield as well, as all of the students from Brookfield East giggle at the absurdity of such a thing.

Freer believes that there is a difference between wanting to be stylish and ending up looking "slutty." Flaunting is the key, and everyone here knows it. "It may be sad to say, but they form opinions and make judgments about you, you know, looking at the way you dress," said Weinhammer.

A girl may dress a certain way, wearing revealing clothes that don’t leave enough to the imagination. These girls are judged, opinions are formed and a reputation can be made or lost in a high school minute. And while all of these students agree that girls don’t have to dress skimpy to get a boyfriend, dressing skimpy can turn heads.

It seems as though there is a huge gray area when deciding what is acceptable and what is not.

According to Ambrosius, a gorgeous girl with a great body can get away with wearing skimpier clothes. A pretty girl wearing normal clothes may look nice, but not get the same kind of social acceptance and status as her skimpier-dressed counterpart.

Where do we draw the line? Is there a point where even peers believe clothing is unacceptable? According to Freer, a line is crossed when girls wear skimpy clothes that are too small for their bodies. Size does matter, and in this case, the more appropriate, the better. For Ambrosius, going too far is when teens try to dress like New York fashion models, trying to be who they are not.

According to all five students, society is reaching a point of pushing the fashion envelop too far. Stores are now marketing skimpy clothing to little girls through such stores as Abercrombie 2 and The Limited, Too. As Ambrosius put it, the same miniskirts that

15-year-old girls in high school are wearing are now being sold to eight-year-old girls. This trend is verging on dangerous. Stenzel sums it up best, as he doesn’t want to see little kids dressed in skimpy clothes; simply, he doesn’t want "any more R. Kelly’s" running around.

Ambrosius agrees, believing "it’s kind of creepy." Where does fashion go from here? Toward wearing only loin clothes, jokes White. Stenzel sums it up, saying, "yeah, I see it as a problem, but, it’s gonna keep selling, soÉ"

All teens agree, they are used to the way their peers dress, admitting that much of the shock value is gone.


 
Green and growing
Most of the infrastructure of Lambeau Field has been left intact, but you'd need dental records to identify the rest of the stadium.

By JIM CRYNS

September 2003

This fall, the Green Bay Packers will find themselves in ostensibly newfangled digs at improved and restructured Lambeau Field.

Unlike the drastic and iconoclastic measures taken during the recent renovation of Soldier Field in Chicago, the architects and management in Green Bay have been able to incorporate a sense of history in the new design. We’re talking more than just a nip-and-tuck cosmetic alteration. This was a major replacement operation on a seriously overtaxed pigskin venue.

Most of the infrastructure of Lambeau Field has been left intact, but you’d need dental records to identify the rest of the stadium. The "new" Lambeau Field and its unique and multifaceted atrium might elicit a double take or a potential scoff from Packer legend Vince Lombardi for being too luxurious and upscale.

Lambeau Field has enjoyed the reputation of being one of the elite stadiums in the NFL, if not technologically, certainly by virtue of its

storied legacy. The Packers have transformed a football stadium used ten days a year into a Packers cultural center, a must-see spot for tourists and fans alike. The Packers’ organization says the renovation was for Packer fans everywhere. The makeover has made Green Bay and Lambeau Field a destination venue each and every day of the year, regardless of the weather. They’ve made the mystique and excitement of the Packers available to fans on a regular basis.

The $295 million project was jointly financed by the City of Green Bay, Brown County taxpayers, the Packers and the NFL. From a financial standpoint, the renovation gives the Packers a sound economic base for the future. It’s the community that makes this special and possible. The Packers are connected to the community like no other team in the NFL. This reconstruction project is a reflection of the fan dedication to the stadium.

The Titletown Atrium will arguably be the crown jewel for this project. The Packer Hall of Fame will actually move into the atrium, which can be used for private functions and virtually any kind of programming including business meetings and weddings. When you walk the halls of the atrium it appears similar to a conference hotel, only this one has a football field in its center. Inside the atrium is a replica of the playing field. When you’re on the 50-yard line in the atrium, you’re exactly on the fifty-yard line of the playing field.

The franchise aimed to have the intimacy of Wrigley Field when they put this project on paper and for the most part, they’ve achieved that goal. Laws today are more restrictive than they were when Lambeau was first constructed and the franchise strove for that kind of feeling in the stadium. They’ve essentially left the bowl untouched. From a fan standpoint, they’re going to be real close to the field.

Fans still want to come and see the same stadium where Bart Starr played and ran his famous quarterback sneak. If they had changed the stadium too dramatically, they would have lost some of the important connections to the team’s past and ended up with a functional yet utilitarian stadium, much like the home of the Chicago White Sox.

The renovations have expanded the facility with 1,650,000 square feet vs. 650,000 in the old stadium. It’s got a larger training room, a permanent X-ray machine, a new weight room, individual meeting rooms with theatre-style seating, a 150-plus seat team auditorium, a basketball court with a parquet floor, two racquetball courts, a team dining room and a players’ lounge and slew of new toilets.

The additions and improvements were necessary from many perspectives. Fans used to stand in a line into the parking lot in the snow in the dead of winter to come into the Packer Hall of Fame or the Pro Shop. Wedding parties would pull up in their limousines, get out of the car for pictures in front of the stadium, hop back into their cars and drive away. Presumably to a reception with a green and gold wedding cake.

It's the most recognized structure in the northeastern part of Wisconsin.  To be fair, it's perhaps the only structure in northeastern Wisconsin.


When fans enter the facility they’ll be taken aback by the scope and beauty of the project. Architects incorporated 21st century modern facilities with a retro look. When people come into the stadium they will feel like they walked into a kind of time machine as the stadium looks a lot like it did back in 1957. The heart of those sentiments realized in a simpler time will be experienced in the modern world.

On the second floor of the atrium is a club area for all ticket holders to enjoy. You’ll feel like a VIP even though you know you’re not. Beer is offered by the Leinenkugel brewery in this particular section, and you never know who is serving up the suds. Jake Leinenkugel, the president of the brewery, drives over from Chippewa Falls and pours beer for the customers for a few games during the year. I don’t know any other stadium in the NFL where the president of a brewery will come over and pour you a beer and talk football.

A lot of the credit for the success of the team goes to the culture of Green Bay, at least the football culture. The championships, the history of the franchise, the tradition and the fact the team is owned by the fans are what make this team special.

 
Web success resides 
in Cedarburg
 
FundRaising.com had been established; 
Internet helped expand it nationwide

By JIM CRYNS - GM Today Correspondent 

August 18, 2003

 
CEDARBURG  - Even though you once swam with the sharks, you can still come back home to be a big fish in a small pond.

Lauralee Oenick, who was raised in Mequon and educated at Yale, came back to Cedarburg after working as an investment banker on Wall Street, in Moscow and as a business developer in London. She returned to Wisconsin to work with a business her parents had started in their home years before.

As the name implies, FundRaising.Com is a fund-raising company that does national business while based in Cedarburg. It’s a family-run entity that has bravely taken on the behemoths in a market segment that collectively conducts $2 billion dollars a year in business. There are approximately 2,500 companies that sell products in the United States, however Oenick says FundRaising.Com is one of the few that operate nationwide.

Oenick is the vice president of sales and marketing of the company. She says FundRaising.Com is helping change the way people can raise money for their organization, by shipping the merchandise directly to the customer and eliminating half of the work for volunteers involved in a project.

"We help nonprofit groups all around the country raise money," Oenick said. "We help raise money for playground equipment, efforts to make playgrounds safer, athletic group uniforms, cheerleading uniforms, church pews, religious centers and youth missions."

As Oenick sees it, there is an endless array of reasons why people need to raise money in this country.

"What we do is we sell products ranging from lollipops to candy bars," Oenick said. A lot of the larger fund-raising companies don’t want to sell just one case of lollipops. "We will deal with any size group. I’ll deal with cheerleaders any day of the week, they’re willing to work hard all of the time."

The company, which was started 13 years ago, employs 40 people. "We moved to Cedarburg four years ago," Oenick said. "We found a fabulous location, great accessibility for our work force on Pioneer Road across from Cedarburg Lumber."

The company came out of the congested Web-based boom of the mid-1990s. "We are one of the success stories of the dot-com era," Oenick said. "I tell people we’re a real company that utilizes the Web, not just a Web presence. We weren’t a start-up company, we were already profitable. It was my father who had the foresight to make our presence known on the Web and he even purchased the domain name back in 1995."

One of the strengths about fund raising is even during a down market, it can thrive, Oenick said.

"It’s essentially a recession-proof business," she said. "We really don’t target a particular area; we do mass mailings in California and Texas, among other states, sending out millions of pieces of literature. When we first started the business, I’d come home and help lick stamps. We were grateful when the post office came out with the self-adhesive stamps."

Oenick says the company prides itself on its employees where customer service is emphasized.

"It’s one of the major reasons we’ve been successful. We hire outgoing people with friendly attitudes," Oenick said. "We have a very flexible work environment. If people have to take care of something at home, we let them, as long as the shift is covered. It makes an employee’s day when they are able to play a part in the success story of one of our clients," Oenick says. That flexibility also is extended to their customers.

"When they turn to us we try to give them everything they need to run their fund-raiser. We’ll give them free consultation, we’ll give them an extra 30 days to meet their goals," Oenick says.


 
 
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Amazon.com


Trouble at the altar
This East Sider is fighting back

By JIM CRYNS

June 25, 2003

Originally from Fond du Lac, Peter Isely currently lives on Milwaukee’s East Side with his wife. "I will always thank providence for Catholicism because I met my wife during a church sponsored event," Isely recalls. "She sang in the gospel choir and has a voice like an angel and a prophet rolled up in one."


Peter Isely, a psychotherapist in private practice, is one of the founding members of the Survivors Network of Those Abused By Priests, a national organization dedicated to reaching out to as many survivors of sexual abuse by priests as possible. "I’m the local leader here in Milwaukee," Isely explains. Isely is listed as a regional director on the group’s Web site.

"(SNAP’s) founding members come from all over the United States. We have members from St. Louis, Chicago, San Francisco, Los Angeles, Boston, Philadelphia. There’s about 4,500 active members of SNAP right now."

SNAP (www.survivorsnetwork.org) is fighting to educate victims about the effects of abuse and how to recover from the abuse. "The abuse that we have experienced is only part of the problem. We often feel ignored or rebuffed by church officials," Isely says. "SNAP makes it safer for victims to come forward and encourages the Catholic Church to change its actions toward abusive clergy and survivors of clergy abuse."

Isely himself was abused by someone he knew well. He seems at peace and appears to have dealt with his horrifying experiences. "I’m doing something about what happened to me," Isely explains. "I was a victim. I was particularly vulnerable to my attacker because he was aware of my family’s devotion to the church. He used my family’s dedication to God as a tool against me. The priest told me it would devastate my mother if anything scandalous were to reach her. He believed that would ensure my silence.

"I’m still a practicing Catholic. I fell away for a little while, but I’m back."

The manner in which the church has dealt with known offenders is particularly vexing and abhorrent to Isely. "When a sex offender was discovered, there was a way for the church to get around the criminal reporting to the authorities. Then they got the guy out of the prosecution’s district and put the priest into a facility that they were running." Isely says church officials would garner as much information about the incident and on the priest who allegedly committed the crime, develop an assessment on the priest and keep him "on ice" for six to nine months. "At that point the Bishop could bring him back into his diocese or his religious order and put him somewhere else. It was an extremely fine tuned operation. The church actually bragged about how miniscule their liability in these cases seemed to be.

"Milwaukee is as bad as Boston in terms of abuse cases. It’s mystifying and frustrating that we haven’t had law enforcement investigations relating to the criminal activity."

It’s almost incomprehensible to imagine a religious order and a progressive Pope just sitting by while a host of priests were abusing children and young men. One of the prevailing beliefs among SNAP members is that the Catholic Church knew the abuse was occurring, but chose to ignore it. "When you look at the mounting evidence, what they did actually was to take this information and devise a secret institutional response," Isely explains. "They wanted to take on the problem, but at the same time they went to great lengths to avoid exposure to the public and expose themselves to liability.

"This is really the third wave of public awareness of the problem of pedophile priests in the Catholic Church," Isely reports. "We really started to unearth the problem in the mid-’80s in New Orleans. That’s when the depth and scope of this problem was really discovered. During that time, the American Catholic Bishops studied the issue, and determined this was one of the greatest problems facing the American Catholic Church. They understood it would not only affect the ranks of the priesthood but also cost the church a great deal of money."

Isely says the Catholic Church has engaged in and funded an extensive analysis throughout the ‘80s as this problem became more visible to the public eye. "They already knew about the problem," Isely insists.

Isely says he can almost understand why the Catholic Church feels they have to challenge the accusations. "The priest is the last link between parish members and the church. If the church loses too many of the priests, they will ultimately lose members of the church."

Isely is quick to point out this motive is not an excuse for their actions.

Pope John Paul II has enjoyed a level of popularity and adoration among Catholics like few before him. Isely says there are divergent opinions on the Pope’s culpability in the matter of abuse. "The conservative Catholics and the liberal Catholics seem to have two theories," Isely says. "One branch seems to feel the Pope is completely insulated from these situations and not being told what is actually happening. But keep in mind, it’s the current Pope that put these bishops into their current positions. Part of the problem has been the diplomatic channels."

Isely hopes the future will bring substantial legislative changes regarding those abused by priests. "What I’d like to see are some substantial law changes. The statute of limitations that currently restricts prosecution has got to change. Things are a lot better today just because it’s more widely known and we recognize it as a global problem."


 
 
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One-on-one

By JIM CRYNS

July 2003

Marilyn Vollrath and Sue Bellehumeur work together to promote adult literacy.


It’s difficult to imagine: More than 20 percent of adults read at or below a fifth grade level - far below the level needed to earn a living wage. To battle the problems caused by illiteracy - risks to health, compromised success for children, difficulties in employment - nearly 300 volunteers offer their time and "comfort level" to Milwaukee Achiever Literacy Services, a program that provides adult learners with preparatory and developmental instruction in adult basic education, English as a second language, general educational development, computer skills, and the skills of citizenship through individualized programming and flexible scheduling.

Cedarburg’s Marilyn Vollrath is the vice chairperson of Milwaukee Achiever Literacy Services, Inc. "One of the things that distinguishes us from other learning centers is our dedication to one-on-one tutoring," Vollrath explains. "We have a lot of former teachers who’ve volunteered their expertise and combined it with their interest in helping others."

Nothing is too rudimentary for students in the program. If a tutor needs to start with the basics, the alphabet, basic addition, then that’s where they’ll begin. "Some students will come to us and say ‘my job requires me to do certain addition and I can’t do it,’" Vollrath says. "That is the kind of thing we can help them with.

"I’ve been on the board for about ten years," Vollrath says. "I got involved with the Achiever Program because I was looking for ways to be involved in the community. Obviously, what I heard about the program was very good. I’ve never been a tutor; I’ve always been more involved on the board side."

"Our tutors are very diverse," says Sue Bellehumeur, the chairperson of the program’s board of directors. "We have some retired teachers and some that just sense a need to find us."

Bellehumeur says the program has a strict assessment program that monitors the skill levels of each new student. "If we get someone in that says they want a G.E.D in a year, but lack some of the basic skills to achieve it in that time frame, it’s our duty to be honest with them and set some more realistic goals," Bellehumeur says. "We depend on our site coordinators to make these types of assessments. Some of our tutors have a Ph.D. in their respective fields but choose to teach remedial math to students because that’s what they want to do. That’s in their comfort zone."

According to Bellehumeur, someone has called a lot of the students to action in their family. "These people bare their souls," she says. "It’s scary to admit you can’t read nor do basic functions. That’s why we try to put our students with one tutor during their time here. It makes them feel more secure."

For more information about the program, visit www.milwaukeeachiever.org.

 


 
 
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Star trek

By JIM CRYNS

July 27, 2003

Did he "survive" ESPN’s latest challenge? Greg Matzek’s not telling.


It’s not everyday you get off a plane and you have your cell phone taken away from you by someone you don’t really know. It’s even more uncommon for you to hope for that to happen.

East Sider Greg Matzek is a producer for the "Greenhouse," an afternoon program on WTMJ radio in Milwaukee. In April, Matzek went to Florida with the aspiration of being selected for "Beg, Borrow and Deal," the on-the-road game show on ESPN. The first thing the staff did when Matzek got off the plane was to take away his phone. "They take away your phone so you can’t contact anyone that’s not affiliated with the show. After the interviews, the producers had 16 finalists and eight were selected to go on the show," Matzek said.

Matzek, a graduate of UW-Oshkosh, made prior arrangements with his job, family and friends telling them if they didn’t hear from him, he had probably been selected for the show. "I watched the first season," Matzek says. "During one of the episodes they informed viewers if they were interested in participating during the next season, they were to go online and check out the rules. You were asked to make an audition tape and fill out an application."

The premise of "Beg, Borrow and Deal" is to drop two teams consisting of four members at one location - with just the clothes on their back - and make their way to another location in the country. Matzek and three team partners were also asked to complete ten tasks from a list of 50 before they reached their destination. "We had to get from South Beach to Mount Rushmore with no tangible assets," Matzek says. "We were only allowed to complete one of our assigned tasks per state. I don’t think people realize how difficult this can be."

The one-hour shows begin airing on July 8 and run for seven consecutive weeks. Matzek obviously knows if his team won, but he’s been sworn to secrecy. "I can’t tell anyone," Matzek said. "I’m getting used to not being able to discuss it. People ask me questions all the time. All I can say is it took the winning team a little over two weeks to complete the tasks and make it to Mount Rushmore."

To ensure the honesty and integrity of the contestants, Matzek and his cohorts traveled with a producer and a full crew who filmed the whole experience. "We didn’t have a rulebook with us, but our producer always knew what was going on," Matzek explains.

"There were definitely some times when you thought you’d be stuck somewhere for the night," Matzek confesses. "I’m glad I did it and I’d do it again in a second. I’ve made some friends from the show and we keep in touch. It was the most challenging, interesting, rewarding experience I’ve ever had."


 

Bronze diplomat

By JIM CRYNS

July 28, 2003

Kennan is one of the most successful diplomats in the 20th century. A statue seemed like a natural way to help Milwaukeeans remember with pride that he is one of us," says Mayor John Norquist.


What do you get a man for his 99th birthday? And how do you pay homage to an individual who’s had a global and historical impact? You could erect a statue in the town of his birth in an effort! That’s exactly what a group of people are planning to do for Milwaukee native George Frost Kennan, a man so revered and respected, he’s been awarded 35 honorary doctorates, a man who hails from Milwaukee’s East Side near Brady Street.

"The city decided they’d build a traffic calming device at the intersection of Cambridge and Kane Place," explains Barbara Nestingen, one of the folks responsible for the effort to commission a statue of Kennan.

Someone who has himself worked for the city for quite some time came up with an idea. "It was Mayor John Norquist who suggested George Frost Kennan," Nestingen continued. "We thought that would be lovely. He’s famous, and academic and a diplomat. It isn’t often that statues are erected to commemorate the lives of intellectuals."

John Norquist understands the inherent value to the city that a man like Kennan represents.

Kennan is indeed in possession of a generous portion of gray matter. He received his B.A. at Princeton in 1925. He served as a U.S. Foreign Service officer in Geneva, Hamburg, Berlin, Moscow and London; he also served as U.S. ambassador to the U.S.S.R.

Kennan was perhaps best known for his efforts toward "containment" of Soviet Communism after World War II. "He changed the course of history," Nestingen says. "There are achievements of the mind and there are triumphs of the intellect. Everything starts with thoughts. Before there can be a behavior or an action, there has to be a thought, idea, thought, leadership." According to Nestingen, Kennan exemplified those traits in spades.

Kennan opposed the division of Germany after World War II, as well as the development of the atomic bomb. He denounced American participation in the Korean and Vietnam wars, and reliance on nuclear weapons for national defense. In 1956 he became a professor at the Institute for Advanced Study in Princeton, N.J.

Funding for the project will be one of the more formidable tasks required to see the project through to fruition. Nestingen says she hopes tax deductible donations can be obtained from corporate donors.

The triangle at the intersection where the likeness of Kennan may eventually stand was installed this fall, made of granite blocks extracted from the Marquette campus. How will Kennan be depicted in the statue? "I’d like him to be holding a book," says Nestingen. "He’s won the Pulitzer Prize, twice."

 

 
A few lives, touched

By JIM CRYNS

July 25, 2003

Greg Lehman: proud of what they’ve done "together."


Coaching high school football for a good portion of your life can take its toll on your nerves, vocal chords and energy allotment. It takes you away from your family and leisure activities yet can pay off in so many intangible ways.

Greg Lehman resides in Whitefish Bay but he lives at Milwaukee Washington High School for a good chunk of the year as head coach of the varsity football team. In March, Lehman was inducted into the Wisconsin Football Coaches Association Hall of Fame and he’s taking the honor in stride. "I think I’m a little ambivalent about the notoriety," Lehman confesses. "I don’t have a state championship to show for the effort, like a lot of other inductees have. I imagine part of this reward is for endurance and other things," Lehman says modestly. You get the feeling he’d much rather see his players in the spotlight than himself.

"Most of the players are aware I’m being inducted and they’re extremely proud of me," Lehman relates. "But they are the real stars. They’ve been through four years of high school football. That represents one of the most difficult things they’ve done.

"I started coaching in 1972," Lehman explains. "I volunteered as a coach at UW-Milwaukee. I then went on to become a graduate assistant at Ohio State under Woody Hayes." Lehman also played football at UWM and then with the West Allis Spartans in a semi-pro league.

Lehman’s devotion and commitment to life lessons goes well beyond the playing field at Milwaukee Washington. "I’m a teacher at Washington and I deal primarily with ‘at risk’ youth," Lehman says. "These students are usually way behind in their credit accumulation, there may be some behavioral issues involved. I like to call it a ‘pullout program.’"

When he was younger, Lehman says he always thought he would coach in the college ranks. "After being exposed to college football, I didn’t necessarily agree with the philosophies involved at that level. It wasn’t for me," Lehman expresses. It’s a different lifestyle and a different kind of commitment to the game. In high school coaching, I get to experience a sort of purity in athletics you don’t get at the collegiate level. I think college coaches can be their own worst enemy."

According to Lehman, student participation in athletics is a key to helping kids grow and mature. "Kids can identify with something," Lehman says. "I think a lot of the kids I coach at Washington have been marginalized. If they hadn’t participated in the football program, many would have ended up dropping out of school. I’ve touched a few lives, I feel good about the program and what the students and I have accomplished together."

 

 

Oh say can you sing?

By JIM CRYNS

July 24, 2003

Think you can sing in the stadium? Aleta Mercer may beg to differ.


If the only place you plan to sing is in your bathroom, it doesn’t really matter what notes you can hit. When you sing the national anthem in front of a baseball stadium full of fans, you’d better be able to carry a tune.

Aleta Mercer is the director of entertainment for the Milwaukee Brewers and she’s heard it all. "I get about as involved in the selection process of anthem singers at Miller Park as you can get," Mercer explains. "I listen to all the audition tapes that come into our office. I spend a lot of time cataloguing the singers because I need to know if it’s a school audition, a community group, a women’s group. I’ve got a pretty good idea what I’m dealing with when it comes in."

Mercer has been in charge of selecting national anthem singers at Miller Park for the past three years. She says she’ll book a particular soloist or group that relates to a common theme. "If it’s Mothers’ Day at the ball park, I’m going to find a group of mothers to sing the anthem," Mercer says. "The same would hold true for something like Fathers’ Day. For the kids’ home opener, you can be sure I’m going to find a young person to sing."

Understanding that singing the national anthem is a live performance, Mercer and her staff know just about anything can and does happen. "We’ve had speakers blow right before a performance," Mercer sighs. "When we have professional performers, they’re able to sing through whatever is going on. On one occasion, the music in the headset was not the correct music and the performer sang the anthem without a hitch."

The face of those who sing the anthem ranges from Veterans groups to school groups, to patriotic Americans who want to share the song with people. "Since 9-11, I think people are more respectful of the song, they sing along with their hands across their hearts," Mercer says. "Before that, it seemed half the people weren’t even aware the anthem was being performed."

Even after three years of selecting singers, Mercer says she has a lot of respect for the people that are willing to take on the task. "I guess I’m always surprised by the people that want to sing the anthem in front of 30-40 thousand people," Mercer reports. "I’m particularly impressed by the 13-year-old girls who show incredible courage in front of a huge group of people."

Mercer says it’s not a sure thing all of theperformers can pull it off in front of a live audience. "We do ask that people that are interested in singing send along a list of how many times they’ve sung and where they’ve done it," Mercer says. "If I can look at your history and you’ve got a good line of performing, I’m more interested in taking the chance on you."

 

 
Squeeze whiz

By JIM CRYNS

June 2003

"I think the Midwest is great. Especially for an accordion player," says Stas Venglevski.


A young man from the former Soviet Union, a native of the Republic of Moldova, may change the way we perceive, see and hear the accordion. Stas Venglevski has lived in Shorewood for the past ten years and he’s been squeezing up quite a storm. "I came here in 1992. My wife, cellist Roza Borisova, came first as a student at UWM. She was in the Veronika String Quartet." Venglevski is a graduate of the Russian Academy of Music in Moscow where he received his master’s degree in music.

The culture nuances of the United States were not unforeseen by Venglevski. "I pretty much knew what was in store. I expected everything that I encountered here," he relates.

What makes Venglevski’s music so dissimilar to what we’re used to hearing is his instrument. "The Bayan is very unique. It’s a Russian-European accordion and there are no piano keys," Venglevski explains. "With the accordion, you play polka. My instrument is more adept at playing classical music and old piano music." Venglevski says the Bayan is known in this country, but is not widely used. His concert accordion has 120 buttons arranged in six rows on the left hand, and 106 buttons arranged in five rows along the keyboard on the right hand.

Local observers will point out Venglevski has been known to "steal a show" now and again with his zeal and personality. "You have to enjoy yourself on stage. If you don’t enjoy yourself, the audience won’t enjoy themselves. The spirit of the people in the United States is similar to the spirit of Russian people." Venglevski says he has a lot of respect for American culture. "I just fell in love with the comedy, the entertainment."

Shorewood hosts a considerably large Russian population and that can make the transition for a newcomer a little easier. "When I go on the street and see a Russian person, or hear them speak, I go over to speak with them. The younger Russians seem to be happier here. The older generations have a little more trouble, probably because of the language barrier. If you don’t know the language, you feel isolated," Venglevski observes.

Despite being in this country for a relatively short amount of time, Venglevski has wasted no time rubbing shoulders with celebrities. He recently shared the stage with Doc Severinsen of the Tonight Show with Johnny Carson. "Before I came here, I didn’t know how big Severinsen was. He is a legend." Venglevski included the late Steve Allen among his list of friends. "Every time he came to perform in Milwaukee, he’d call me. Mr. Allen talked to Jay Leno’s staff and tried to get me on the Tonight Show, but they said they were more interested in rock and roll superstars."

Venglevski’s latest CD is titled "Seasoning," and is available through his Web site, www.accordions.com/stas

 

 
Squeeze whiz

By JIM CRYNS

June 2003

"I think the Midwest is great. Especially for an accordion player," says Stas Venglevski.


A young man from the former Soviet Union, a native of the Republic of Moldova, may change the way we perceive, see and hear the accordion. Stas Venglevski has lived in Shorewood for the past ten years and he’s been squeezing up quite a storm. "I came here in 1992. My wife, cellist Roza Borisova, came first as a student at UWM. She was in the Veronika String Quartet." Venglevski is a graduate of the Russian Academy of Music in Moscow where he received his master’s degree in music.

The culture nuances of the United States were not unforeseen by Venglevski. "I pretty much knew what was in store. I expected everything that I encountered here," he relates.

What makes Venglevski’s music so dissimilar to what we’re used to hearing is his instrument. "The Bayan is very unique. It’s a Russian-European accordion and there are no piano keys," Venglevski explains. "With the accordion, you play polka. My instrument is more adept at playing classical music and old piano music." Venglevski says the Bayan is known in this country, but is not widely used. His concert accordion has 120 buttons arranged in six rows on the left hand, and 106 buttons arranged in five rows along the keyboard on the right hand.

Local observers will point out Venglevski has been known to "steal a show" now and again with his zeal and personality. "You have to enjoy yourself on stage. If you don’t enjoy yourself, the audience won’t enjoy themselves. The spirit of the people in the United States is similar to the spirit of Russian people." Venglevski says he has a lot of respect for American culture. "I just fell in love with the comedy, the entertainment."

Shorewood hosts a considerably large Russian population and that can make the transition for a newcomer a little easier. "When I go on the street and see a Russian person, or hear them speak, I go over to speak with them. The younger Russians seem to be happier here. The older generations have a little more trouble, probably because of the language barrier. If you don’t know the language, you feel isolated," Venglevski observes.

Despite being in this country for a relatively short amount of time, Venglevski has wasted no time rubbing shoulders with celebrities. He recently shared the stage with Doc Severinsen of the Tonight Show with Johnny Carson. "Before I came here, I didn’t know how big Severinsen was. He is a legend." Venglevski included the late Steve Allen among his list of friends. "Every time he came to perform in Milwaukee, he’d call me. Mr. Allen talked to Jay Leno’s staff and tried to get me on the Tonight Show, but they said they were more interested in rock and roll superstars."

Venglevski’s latest CD is titled "Seasoning," and is available through his Web site, www.accordions.com/stas

 

 

Keys to the stadium

By JIM CRYNS

July 6, 2003

Dean Rosko has revived a Brewer tradition by playing the organ at Brewer’s games. He was chosen for the gig from a field of 32 applicants.


Some of you may recall the organ at the old County Stadium that went silent during the first Bush administration. The organ has been replaced with a state-of-the-art Kawai SRX 7000, and, in connection with an effort to make the baseball venue more fan-friendly this season, it is resonating throughout the Menomonee Valley.

The new organist at Miller Park, Dean Rosko, was in diapers when "Roll Out The Barrel" was last played on the keyboards at County Stadium. Rosko, 19, says he started playing the piano as soon as he was able to reach the keys. "I don’t know if I was as surprised to get the organist job with the Brewers as much as I was delighted," Rosko comments. "I took six years of piano lessons and seven years of organ playing lessons," Rosko recalls with a grimace. " I learned how to play the organ in front of a live audience at roller rinks in the Milwaukee area.

"My family is absolutely thrilled with this gig as they’ve been Brewer fans forever. It’s been great for the whole family to be part of this experience," Rosko continues. "I don’t consider myself a fair weather fan. I have always been a Brewer fan."

Rosko says he and the Brewers have worked steadily to compile a list of songs that might work at various points before, during and after the game. "The Brewers have asked me to give the fans something during a foul ball, or possibly during a pitching change."

About 32 people applied for the job as the team organist and the first cut took that number down to 16 people. Resumes were perused and tapes listened to. The 16 enthusiasts were whittled down to eight applicants which ultimately led to the final interviews.

"I’m scheduled to play about 73 games a year. I’m the primary guy, but there is a second organist to fill in the remaining games," Rosko explains. His game assignments will require him to do the familiar charges, chord progressions, the theme from "Zorba the Greek."

"I pretty much have the green light to plug in some music where I deem it necessary," Rosko explains. "I will continue to develop stuff we can use and it will be a kind of work in progress."

Rosko works just a few booths down from Hall of Fame broadcaster Bob Uecker. "I’ll have to come up with some kind of Bob Uecker theme," Rosko quips. "Fans seem to enjoy the organ playing so far. We’re in a booth right in front of the fans with the open windows and I haven’t heard any negative comments."

 
 
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Less than nothing
Can the Brewers ever compete? 
The Greek Chorus sings out.

By JIM CRYNS

May 2003

If there is a god of baseball, he must be a real cut-up. Ask a Chicago Cubs fan or a Boston Red Sox fan whether they truly expect their team to be in contention at the finish line in September.

The Brewers appear to be in the midst of the same dismal scenario in which the Red Sox found themselves. After 106 losses last year, you’d have to be viewing the Milwaukee baseball picture through the world’s finest rose colored glasses to refute the disturbing evidence. Can the Brewers ever realistically compete for a pennant in today’s financially disparate and strangulated baseball world?

Steve Czaban is a sports-talk veteran and can be heard nationally on ESPN radio. Czaban had no trouble voicing his opinion on the Brewers’ future with his inimical dose of blunt realism. He’s quick to caution Brewer fans to keep their hopes in perspective. "The sad reality, is no, the Brewers will not be competitive again," Czaban explains with the tact of a blunt instrument. "Not unless there is a major change in the Major League Baseball collective bargaining agreement, and I don’t mean the band-aid compromise of last summer."

After years of complaining they couldn’t compete in a small market venue, Wisconsin taxpayers forked over the money for Miller Park. The Brewers were hoping Miller Park would ultimately be a kind of panacea to problems in both attendance and in attracting top baseball talent to the city.

"A prime example of baseball’s current woes is the Kansas City Royals," Czaban continues. "The Royals will get about $19 million in ‘revenue sharing’ from luxury tax teams like the Yankees and Mets. So what did they do with that money? Not just nothing. It was less than nothing, as they cut payroll by $10 million." Czaban says the Brewers’ best hope is to root for baseball’s economics to bankrupt several teams, while sparing themselves. "Then, and only then, will there be real change. In the meantime, enjoy the brats and the fact you won’t freeze to death on opening day. Otherwise, there is no hope. None. Do not shoot me for being honest."

Tony Bellissimo is a sports writer based in New York City. While his assessment of the Brewers’ future isn’t as dark as Czaban’s, he believes a lot of work lies ahead for the team’s new officers. "In a nutshell, lower-market teams will need to load up on pitching and invest as little as possible on position players," Bellissimo explains. "Or they have to increase efforts to try and land one major free agent, no matter what the position. A guy like Jim Thome can attract others to Philadelphia now that he’s there. It would also boost morale."

It’s not unusual for a team to scrap everything and start over as the Indians did in the ‘90s. The opening of Miller Park did increase attendance numbers during its first year of operation, as expected, but another on-field record like last year could prove to be catastrophic for the team. "The Brewers need to trade Sexson and Jenkins and go after some pitchers," Bellissimo continues. "They currently have a pretty good foundation with Ben Sheets and Glendon Rusch, so all is not lost for the near future."

Ken Rosenthal is a senior writer and covers baseball for the Sporting News. Rosenthal doesn’t think the Brewers should be throwing in the towel at this point. "Of course the Brewers can be competitive again, but it’s going to take time," Rosenthal intones. "They need to escape their big contracts, nurse their young talent and improve through scrap-heap additions like minor-league free agents and Rule V draft picks. I do believe their new general manager Doug Melvin will get them on the right track."

Gregg Hoffman is a senior lecturer in mass communications at UWM and has covered the Brewers since the early ‘80s for numerous local and national publications. "I believe it is possible for the Brewers to put a competitive team on the field once again, but not for two to three years," Hoffman cautions. "Doug Melvin is an experienced general manager, something they haven’t had since Harry Dalton. Some players at AA also show potential, and there will be more shared revenue coming their way. I think the progress could be accelerated if some investor would come in with $30-$40 million, to be spent just on baseball talent." The search for such an investor has proven fruitless up to this point and Milwaukee doesn’t have a host of benefactors capable of coming up with that kind of cash.

The Diamond Angle, a popular Web site featuring profiles of just about all of the Major League teams, is run by David Marasco. "Montreal was competitive last year," Marasco reminds us. "If they can do it, anyone can do it. The Brewers need to start by admitting that they are in a hole, take it on the nose and resolve that it is better to have some 90-100 loss seasons than to continue to try to patch huge holes with expensive solutions, play some kids, build through the minors, and stop whining about how market forces make life impossible while they line their pockets with green."

As a few of the pundits indicated above, Milwaukee must cultivate and nurture some of the young talent they already have in their farm systems. First baseman Brad Nelson has some untapped power at a young age and projects as a classic cleanup hitter. David Krynzel has found some patience at the plate and could emerge as a legitimate centerfielder. He’s found patience and power but sacrificed average in the process. First baseman Prince Fielder, the son of the voluminous and ball splitting Cecil Fielder, is just as big as his old man, has a good knowledge of the strike zone, and could move up to Miller Park fairly quickly.

Joe Rutter is a baseball writer for the Pittsburgh Tribune-Review and he knows what it’s like to observe a struggling baseball franchise like the Pirates. "Like our team in Pittsburgh, the Brewers have learned that a new ballpark does not cure all ills," Rutter explains. "The Brewers, though, could steal a page from the Pirates blueprint in trying to get back to respectability. Thanks to innovative management strategies by GM Dave Littlefield, the Pirates will field their strongest team since 1992, when they last had a winning season."

Rutter believes the Brewers, under the guidance of new general manager Doug Melvin, would be wise to spend their dollars prudently, pour their resources into scouting and development and make few mistakes when doling out big contracts.

Bob Dvorchak is an award winning sports writer for the Pittsburgh Post-Gazette, and says the Pirates find themselves in the same dour scenario as the Brewers.

According to Dvorchak, this season will go a long way in determining whether the Brewers and Pirates can dig themselves out of the gaping hole they’ve dug for themselves. "Believe me," Dvorchak continues, "If the Pirates can climb out of the abyss, there’s hope for any team, including the Brewers."


 
 
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Answer man
Gary Grunau has been there/done 
that and in general, he's happy about it.

By JIM CRYNS

May 2003

Gary Grunau may be one of the best kept secrets in Milwaukee. His fecund mind and ferocious tenacity is known and respected by many Milwaukee policy makers, but would you recognize him without seeing his American Express Card first?

A meeting room at his office in Schlitz Park, one of Grunau’s projects, is decorated in a utilitarian chic motif. Heavy scaffolding acts as an entertainment center for video equipment and as a base for the huge conference table. You sense that Grunau isn’t prone to wasting accessible material nor interested in spending too much valuable time on color schemes. He’s got too many other things on his mind, pressing issues relating to the city he loves. "I have the perspective of being here all my life," Grunau says. "I think in the last probably eight years, we’ve accomplished one heck of a lot. But we still have a long way to go, too. I’ve watched the city’s growth over the last 25 years, prior to the last eight and viewed it as being kind of stagnant. From the time when the old County Stadium was built and the creation of the old convention center, there wasn’t a lot going on with the exception of the Grand Avenue Mall, which opened in the early ‘80s."

Grunau says Milwaukee was comfortably nestled in a status quo of its own making.

He also believes in a figurative sense, "there’s a new sheriff in town." "I think there is a different breed of people that want to make things happen in Milwaukee," Grunau reports. "There’s a different outlook and attitude in this city today. We’ve shaken off some of the conservatism Milwaukee has always been known for over many years and have gotten ‘with it.’ We’ve gotten projects going."

Despite some strenuous economic times, Grunau is excited about the growth of Milwaukee’s downtown areas. "Some of the designs are very urban oriented. It’s become much more of a ‘live downtown’ community. The downtown residential aspect is really driving the freight train right now."

Milwaukee Mayor John Norquist draws praise from Grunau for being the impetus for much of the improved image and growth to the city. "Our local government, under the leadership of John Norquist, has really adapted a proven policy to make our downtown better." Grunau says his father, were he still around, would be pleased with the way the city has developed. "He was a lifelong resident of Milwaukee, too. He was always frustrated when things couldn’t get done. My father would appreciate the fact that things are getting done today."

Mayor Norquist says Grunau has long been a cheerleader for Milwaukee. "I think Gary has really understood the city as a valuable and beautiful place," Norquist explains. "He’s always emphasized the positive. Milwaukee has a lot of strong images that are rooted in reality, images must be rooted in reality."

Norquist goes on to say Grunau has assisted Milwaukee’s national reputation through the work he’s accomplished. "Gary is an urbanist. I think he acquired a taste for the city after moving from Brookfield. He understands urbanism is an attractive feature."

The mayor believes Grunau has helped keep Milwaukee’s urban fabric intact.

"With the RiverWalk, Gary really stepped up to the plate," Norquist continues. "He got involved in urban revitalization before I became mayor and at that time, it was quite a risk to take."

After earning a degree in engineering from Cornell University, Grunau could have gone anywhere, but chose to come back to Milwaukee. "I came back here out of school to a family-made business," Grunau recalls. "It’s the right size community for me. I’ve known people in this town for over 40 years and it’s a comfortable city. People wise, size wise, I don’t know what else you could ask for. It’s got the arts, just about anything you could possibly ask for."

His studies in engineering are given credit for his ability to think logically and strive to come to a conclusion regarding his work. "The thing about engineering is sooner or later you come up with an answer," Grunau says. "Perhaps engineers push the answers out more than most people do. I think being an engineer gives you a sense of finality, that you want to bring something to its conclusion and complete a project."

Marcia Sehler is on the board of the RiverWalk District, the group responsible for a good chunk of the development along the river downtown. Her assessment of Grunau smacks of a public relations campaign. "I work with him a lot and I can tell you, he is an astoundingly good person. They say he’s powerful, but he’s also enormously good." Sehler says Grunau cares about the city and works tirelessly for Milwaukee. "It’s about Gary wanting to see Milwaukee be very successful and be welcoming to everybody. He’s enormously capable."

With the political landscape in Milwaukee County and the city changing rapidly, Grunau expresses some concern for the future vision and goals of Milwaukee. "I would hope, and a lot of people downtown hope, the new mayor would have the same strong urban sense as our current mayor possesses," Grunau explains. "There’s a renewed sense of neighborhood downtown, a more pedestrian friendly environment. People can live close to each other again rather than living on a five-acre lot secluded from everyone else."

The gaping void recently created downtown, a.k.a. the Park East Freeway project, has proven to be a contentious, yet arguably vital area for development. "The big growth area now is around the Park East freeway," Grunau relates. "If you think of it, the Park East is surrounded by successful development on all four sides. The east bank of the river, which will primarily be housing, all the way up to the Pick ‘n Save on Ogden, is going to be a hot spot over the next two or three years. You’ve got great housing locations, great views of the downtown area and the river." Grunau says he’s tickled with the responses people have been communicating about the Park East area. "I see people on Water Street and Old World Third Street saying ‘wow.’ They call me on their cell phones saying, ‘My God, does this make a difference.’ They see a different vision of the city when they’re driving up the street."

Grunau says he’s encouraged by the burgeoning art com- munity in Milwaukee and in his estimation, art may prove to be the cornerstone to the future of this city. "We have a very strong artistic contingent in MIAD, UWM and their school of fine arts," Grunau praises. "There’s a lot of good artistic talent. There’s a lot of great art scenes. You can’t underestimate the performing arts groups." Grunau says Milwaukee is becoming known as much for its arts community as for beer. "It’d be interesting to find out amongst the young professionals, what is Milwaukee known for. I’m sure beer is in there somewhere because I know they like to party, but it’s also the arts, recreational opportunities."

Grunau believes etching a uniqueness into the proverbial stone that is Milwaukee’s international image would be a good place to start. "We need to create an identity for ourselves in Milwaukee as a changing, progressive, technology-oriented, fun city. We’re going to continue to market this ‘brand’ that is Milwaukee, but we need an identity and that identity is going to be a long way from German bratwurst, bowling and beer, a long way."

The last ten years in the city have been particularly gratifying for Grunau. He says he’s very pleased with the way a lot of projects have turned out. Grunau is quick to point out that satisfaction can come through others’ success, it doesn’t have to be of his own creation. "I’m happy when ideas come from other people. Take the new convention center... I’m thrilled by it. Sometimes it’s great to show those who don’t have much faith in your idea, those who say ‘he’s crazy to try something like that.’ It’s more to prove people wrong, in my mind. I enjoy that more than taking credit for something that happened. I like to see them eat their words. It helps everybody when something works. I can’t wait to hear from the critics of the Park East freeway and have them eat crow."

This city is far from perfect. There are things Grunau would like to change if he were given the opportunity. "I wish we could turn the clock back and have the Brewers making the decision today. I don’t think it would be built out there today. It’s a fantastic structure, but at the time the Miller Park issue came up, you couldn’t find enough attitudes in the city to say, ‘let’s prevent it from being built out there.’"

The big loss, according to Grunau, are the subtle benefits the city would have reaped if Miller Park was indeed built downtown. "People could have walked to restaurants and shops," Grunau explains. "In Baltimore, they didn’t build one parking structure when they built Camden Yards. In Cleveland, they didn’t build one parking spot when they built Jacobs Field. Why? They wanted people to park seven or eight blocks from the stadium and walk to the park. They wanted people to stop and have a dinner somewhere. Stop to have lunch or a beer after the game."

Grunau says he doesn’t think people were concerned enough to ask for an unbiased analysis at the time. It’s his belief the primary concern was to save baseball in the city.

"You can’t cry over spilled milk. I’m just saying if the decision were made today, it wouldn’t happen."

Recent research cited by Grunau speaks to the aspirations of the younger workforce. "You’re finding the youth of today finds a place to live, then looks for a job.

"So, you’re going to find the youth, and we’re seeing a lot of that here now, there’s a good young population in Milwaukee now. They’ve got to have their entertainment districts, saloons, recreation activities, that’s what we’ve got to sell. If young people start to move here, then companies will realize there’s a hell of a labor pool here."

On a national scale, Milwaukee has long been associated with negative stereotypes and borne the brunt of its share of crude jokes. While some of it may have been perpetuated and perhaps even fostered by prior generations, Grunau wants to see an end to such references. "If I have a frustration, it’s to get this town to change its attitude. We are not a second class city," Grunau informs. "We’re one of the great cities in the United States. We need everyone who lives here to be our salespeople. We need everyone to have an attitude of how successful we really are."


 
 
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Scissors in suitcase

By JIM CRYNS

May 2003

Says Malcolm Brown, "It’s the relationships that I’m going to miss."


Malcolm Brown, best known in the Milwaukee area as Malcolm of London, is moving on to greener pastures, literally. "Everyone used to come in to the shop and talk about Minoqua," Brown explains over coffee in Whitefish Bay.

Brown has transported his hair gear and his hair acumen to Minoqua permanently after 30 years of cutting, trimming, styling locks in this town. "I’m not retiring, I’m still going to be doing hair, but I’ve gotten to the point in my life where the city boy has become more of a country boy and I need to relax," Brown relates. He says he’ll be working about four days a week in Minoqua, as opposed to the six days a week he worked for over 30 years in Milwaukee.

"I loved going to Door County, but everyone was talking about Minoqua. It’s truly God’s country. It’s a very large area and I think it’s the most beautiful place in Wisconsin."

Brown worked for another Milwaukee hair landmark, Erik of Norway, when he first arrived in the city. "I was born in London and I moved over here in ‘73," Brown says. "I came straight to Milwaukee. My father lived here and I went to work for Erik. I called my wife the day I arrived to say, ‘I will never come back to live in England again.’ I arrived in October to live permanently."

Education will play a big role in Brown’s life in the future, both as a student and as an instructor. "Three days a week I want to go to school. I want to teach hair styling one of those days and go to school for photography during the other two days."

Brown says Milwaukee has some of the finest hairdressers in the Midwest. "I used to be embarrassed to say I came from Milwaukee," Brown confesses. "Erik and I ended up training the majority of the hairdressers in the area. Those who opened stores in the Midwest had worked for either Erik or me. We touched a lot of lives." Brown is quick to give advice to individuals interested in cutting hair for a living. "If someone was to go into hairdressing today, I’d tell them to get a business degree first, then learn how to cut hair. The difference between cutting hair in ‘73 and 2003, you’d better be a good business person today. The bottom line in this business is as small as it has ever been."

Leaving the Milwaukee area was difficult for Brown. He says he’s watched clients’ children grow up. "This has been the most emotional time I’ve had in my whole life since I left England."

 


 
 
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Rollin' on the reels

By JIM CRYNS

May 2003

Josh Adams’ early freelance work included a stint with Tina Turner.


Josh Adams, the owner of Mindpool productions, describes his company as a conduit for businesses that have big ambitions but not necessarily big expense accounts.

"We work with everyone from record labels and management companies to local businesses. We do everything from concept, to writing to editing, from start to finish."

Adams ventured into the freelance market because he says he wanted to set a myriad of creative ideas into motion. "The first thing I did was in March of 1996. I hopped on a plane and went to Johannesburg, South Africa for two months to work on the Tina Turner tour where I was the assistant director/video designer. I had to come up with concepts that we’d project onto the huge stadium screens."

Some of his proudest professional moments came during the Turner tour. "Back in 1996, as far as I know, we were one of the first to come up with interactive wave form video," Adams says with pride. He describes how the touring show started with a hard hitting guitar sound with all of the lights coming up at once. "We took a direct line feed from the guitar racks and the drum feeds, put them through a monitor and created some live, Realtime waves. So that’s all you saw on the screen were these giant waves of the song and that was the only light you saw on stage on this 30-foot Jumbo-Tron. It was bigger than life, before all of the computers had this technology." Adams says he sequenced performances filmed early in Turner’s career when she was singing with her former husband, Ike Turner. "We’d have her go from singing the song live then we’d switch up to a video of her singing the same song 30 years ago."

Adams spent five years traveling around the world, working with acts such as Elton John. "I did some camera work on that tour. I didn’t get real close to him or his band, I was just fortunate to work some shows with him."

Soon the bigger breaks followed. "I worked with the Bare Naked Ladies and the Beastie Boys," Adams explains. "The Beastie Boys are my favorite band. They are the nicest guys you’re ever going to want to meet."

Despite traveling around the world, Adams kept Milwaukee close to his heart. "I loved coming to visit my family, I love living here now," Adams says. "Quite honestly, this city has so much to offer. For the size that it is and the population, history and diversity, it’s a great place." Adams says he’s seen the city grow a lot during the last ten years.

"I spent a lot of time in New York and some time living in London, cities all over the world. I was always thinking, ‘How am I going to get home?’ I always knew I had to get back to Milwaukee eventually."

He lives in Wauwatosa and likes the fact he can walk to theaters and stores. "I like to hunker down. I bought a bungalow and it’s a cool spot. I can be anywhere in ten minutes. I ride my moped in the summer. I ride my moped everywhere in the summer. It’s that kind of place, you buzz in here, you buzz in there."


 

 

The beginning of Neil Smith’s dream began on a gastronomical note. "My parents took us with them a lot when they traveled," Smith, the new general manager of the Milwaukee Athletic Club, recalls. "When I was eight years old we were dining at a restaurant, and the chef asked, ‘Young man, would you like to come to the kitchen?’ The rest is history.

Smith says the large man led him into the bowels of the kitchen and handed him a large wooden spoon and put him to work. "It looked like a boat paddle," Smith says, "and he asked me to stir whatever was inside this essentially stainless steel bathtub, which I later learned was a steam kettle. When I got back to our table my smile was from ear to ear. I told my family, I have to cook."

Private clubs around the country are faced with declining membership. In the 1980s the club culture began to change. Smith says in the 1970s and prior to that, clubs emphasized family friendly events.

"The clubs today need to be a part of a family’s lifestyle," Smith explains. "We offer members access to what’s offered around the city, but we provide it under one roof. We’re a concierge. If you need a place to work out, we’ve got it. If you need to entertain business associates, we’ve got it covered."

In some ways, Smith is a throwback. He believes serving another human being can and should be considered a noble profession. "If I had been born 20 or 30 years earlier, I would have been the house manager, the butler at an estate. To anticipate needs and take care of someone is wonderful. It’s a sense of accomplishment; you’ve completed a task."

Smith, who arrived at the club in October, refers to his connection with the "human factor," of his career selection. "That is the real thing," Smith exclaims. "The Milwaukee Athletic Club is like an extended home for our members. They can pull in the driveway, and we take care of everything else."

He believes it’s important for a member to realize that when they walk into the club, they know they’re safe.

"I have to identify what made this club great through the decades and determine how I can align those aspects with the club today," Smith explains. "People are looking at downtown Milwaukee as a destination once again. Everything we have here is available throughout the city at other venues. What we offer at the club is camaraderie. There are no waits; there are no hassles. You know the waiter, you know the bartender."

 
 
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At the Open

By JIM CRYNS

February 2003

Scott Hudson was part of the U.S. Open’s rehab team.


Scott Hudson, one of four athletic trainers at Concordia University in Mequon, spent part of the past summer working on this country’s biggest stage of tennis at the U.S. Open in New York, despite the fact he’s never hoisted a racket in competition.

"I never played tennis," Hudson confesses. "I’m a Midwestern kid; I played a lot of football, baseball and basketball." Hudson grew up as one of four children just a tennis lob from the Speedway in Indiana. "I’ve got a degree as a certified athletic trainer," Hudson says. "Just because I didn’t play tennis doesn’t mean a great deal. In this job you have to be pretty familiar with all of the different sports and the injuries related to that sport," he explains.

A colleague asked Hudson about seven years ago if he could work in what is the equivalent of the minor leagues of tennis. He says that segued into his working more and more events. Hudson worked as trainer for the USTA Men’s Pro Circuit out of White Plains, N.Y.

He was responsible for injury prevention and rehabilitation of close to 150 of the nation’s ranked tennis players. These experiences led Hudson to a position as one of six trainers assigned to work the U.S. Open.

"At the Open, we concentrate on rehabilitation, stretching and taping the players before their matches," Hudson says.

Hudson says he’d like to pursue a Ph.D in his field, if time permits. "The mental aspect of the sports mind fascinates me. In tennis, when you’re down 40-Love in the fourth set, it doesn’t get any more cerebrally stressful than that."

Acting as a trainer can be rather stressful when it’s your job to consult and assist some of the most respected and talented athletes in the world. "You try to help some of the players with their agility, and core strengthening. When you watch players at this level, you see the sport in a different way. If they’re injured, they won’t talk about it in the locker room. They don’t want the other players to know if they have a weakness," Hudson explains.

"The players look to us for confidentiality and the assurance they’re going to be all right." Hudson admits he was a little surprised at the humbleness of the guys at the professional level. "When we look at star athletes sometimes we forget that they’re just people. I think people are caught up in the whole fame thing. These players sacrifice a lot to get where they are. Unlike other professional sports with guaranteed contracts, if they don’t play they don’t get paid."

 


 
 
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Blowing off the grave cloth

By JIM CRYNS

February 2003

"I think of myself as a metal illustrator," Norm Christianson explains.


When artist Norm Christianson works on a project, the source of his inspiration is a constant companion. "The Lord is my partner in my work," Christianson explains. "I hope and pray I’m gaining wisdom with each project." Christianson has over 30 years of experience in the graphic arts and in sculptural design. "I worked as a commercial artist during what I refer to as the ‘Golden Period,’" Christianson says. "I always viewed commercial art as a hands-on and practical form.

"I’ve done about 15 projects using metals, others include wood and stone. It’s so much fun to ‘draw with metal.’ It can do things no other materials can do." Christianson is perhaps best known for "Christ Arisen," a seven-foot sculpture made of silicon bronze and stainless steel displayed in front of the Marquette University rectory at 14th and Wisconsin. "It’s very special to me," he explains.

Christianson says the ideas for the piece came about ten years ago when he was attending church. That’s when he pitched his concept for his sculpture. "I had some time on my hands so I decided to make a two-foot model of ‘Christ Arisen’ out of clay. That enabled me to put something into a 3-D perspective.

"I wanted my image of Christ to be dramatic. I didn’t want to portray Christ in familiar robes; I wanted it to be more flowing. I wanted the Holy Spirit to in effect be blowing the grave cloth off of Christ’s body. The resurrection of Christ is the most important thing in the world to me so I wanted to do it right."

Christianson says the desire to sculpt was always in his soul. "I always believed if the Lord gave me enough life I always wanted to create something special. Spirituality in my life is very important. I rededicated my life to Christ back in 1982."

"My credo in life has been ‘if what you’re doing isn’t making a difference, then why do it?’ From a spiritual perspective, I can appreciate where anyone is coming from. At times I ask myself why something isn’t turning out the way I expected or the angle in this sculpture doesn’t look quite right.

"I would say Rodin has always been an influence in my work," Christianson reports. "It’s important to capture energy in your sculpture. In Rodin’s ‘The Thinker,’ you can’t help but think the energy in that piece is pent-up."

Christianson says during his career as a commercial artist, he was besieged by timelines within which he was required to complete an artistic project. "These days, I create my own deadlines and they can be months away. The Lord encourages me to do these pieces. I think He likes what I do and I believe I was destined to do it."

 

 


 
 
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Amazon.com


Corporate monkey uncaged

By JIM CRYNS

February 2003

Chris Ward, president of the Bay View Business Association; owner of Oranje, "European, Asian & Independent Cosmetics, Accessories & Curiosities" on KK.


Chris Ward is the current president of the Bay View Business Association and she is nothing if not enthusiastic. The BVBA has been in existence since 1931 and Ward is completing her first year at the helm.

Bay View is an area of Milwaukee that’s been the subject of a great deal of movement and growth in the past couple of years. Ward says oftentimes the job of the association president has its drawbacks. "It comes down to the fairy tale of the Little Red Hen," Ward explains. "At the end of the day, everybody wants a piece of bread. Thankfully there is always someone who wants to be the Red Hen. And I mean that in the best way." Ward believes she has the fortitude and integrity to rule the roost for at least one more year. "What I bring to the position of president of the association is a background in project management and sheer stubbornness to just do it. To have no fear and to call people out of the blue and say ‘let’s talk.’"

It’s that unfettered vision that can be intimidating to some folks. Ward says the lion’s share of the reaction to her presidency and what the association is doing has been well received. "If you approach people in a positive manner and say ‘look at all the cool stuff we’re doing down here,’ they get excited with you." Ward describes how some of the members of the association are a little more skeptical of her efforts. "Some business merchants will ask ‘what have you done for us?’ My response to them is to ask them to ‘justify themselves.’ Rightly or wrongly you have to show a commitment and take some positive steps before people invest in an area."

Ward’s family established deep roots in the Bay View community. Ward Street is named after ancestors of the clan. "My dad was a machinist at Harley-Davidson and at the same time, one of the most well read people on the face of the earth," Ward says with no small amount of pride. "He worked his whole life as a wage slave, toiling away. He died tragically at 54 years of age." Ward says she drew strength and some life direction as a result of her father’s untimely death. "That was a catalyst for me, that was the epiphany to stop and look at what I was doing in my own life. I asked myself if I wanted to spend my life as a ‘corporate monkey.’ I had to ask what that was doing for my soul."

Ward believes an individual must ask themselves if they can live with what they’re doing. "I had to come home from my corporate job and take another shower every day. It was horrible. I looked at my father’s life and thought about all of the things he wanted to achieve but didn’t accomplish. My father instilled within us a sense that if we were capable of doing something, it was our inherent responsibility to achieve that goal."

Kinnickinnic Avenue has been the focal point of redevelopment in Bay View. There’s a considerable amount of homeless people who meander the streets and a lot of unrealized business potential manifested in vacant storefronts. In short, there are people who don’t share Ward’s vision of what the area can be. Ward owns Oranje on Kinnickinnic Avenue and works on the front lines every day. "We engage the street people as well as the kids," Ward says. "If I see one of the neighborhood kids putting on an act or drop a soda can on the sidewalk, I’ll be the first to say ‘hey, pick that up.’ It’s the basic premise, you don’t defecate where you eat. I say ‘hey, you live here too.’ It’s your neighborhood too. I ask them if they want to live in a hell hole? Most of them say, no."

Mental toughness is a character trait Ward believes is essential in business and for those involved in the metamorphosis of a business community. "In the larger picture, people are taught cultural victimization and we’re taught to look for excuses. This all ties into why we try to do stuff for the neighborhood. I think collectively we have to toughen up and get a goal and work your tail off to get to that goal. That’s where you build success in small steps."

The association has some collectively grand ideas for the future of Bay View. "What you’re going to see is a combination of small businesses, your mom and pop stores, as well as national chains, as well as multi-tenant housing." Ward believes there will be a combination of working class and upper middle class people utilizing the same area, living over the storefronts. "You won’t see as many absentee landlords. People will have an investment in the neighborhood and a grouping of people that will be more socially responsible."

Will people kick themselves and say "son-of-a-gun, I should have invested in Bay View ?" "This is absolutely a son-of-a-gun kind of place. People should be buying stuff up right now with good intentions. That’s the trick with Bay View, we’ve seen it already. Bay View, regardless of the race, class or citizen is always about neighborhood. Unless you become an active member or participant in the neighborhood, you won’t be successful."

 


 
 
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Being Badger

By JIM CRYNS

November 2002

Booker Stanley, B.J. Tucker & Evan Engstrom


The distance from Milwaukee to Madison is 72 miles as the crow flies, but birds are known to take alternate routes. This is the story of the divergent paths taken by three Northshore men and how they each made their way to Camp Randall Stadium and the Wisconsin Badgers football squad. Each man has created his own unique map to the same place, a route of his own design. All men mapped their destiny and worked hard to achieve a multitude of goals.

Nicolet High School standout B.J. Tucker is a starting defensive back for the Badgers this season as a senior. Last year, Tucker played in nine of 12 games, and started at cornerback in the first two games of the season. Whitefish Bay High School star Booker Stanley entered the Wisconsin program this year on a full ride as a running back. Stanley rushed for more than 300 yards and five touchdowns in a game against Germantown, and was named Associated Press’ state player of the year. Evan Engstrom, an honorable mention all-state defensive end also from Whitefish Bay, will be a walk-on this season for the Badgers and will try to make his mark alongside the likes of hard hitting fullback Matt Bernstein.

None of the three men could make it to this level without a great deal of love and support from friends and families. "We knew it was going to be tough going in," says mom Linda Tucker. "Barry Alvarez told us that of all the kids going into college sports, only three percent would come out as professionals the other end. We knew that, and we know B.J. is talented, and we know he has a chance of being in that three percent. When he got to this level, we didn’t know where he was going to top out in terms of talent. I think our job here is to let him know that he is a talented young man."

Linda Tucker knows B.J. as a man, while most fans of Badger football know him through his play on the field and structured media bites. Linda Tucker and her family are with B.J. through the thick and the thin of it, through the accolades and the jeers. "We were all excited for him and the fact that he had a potential to earn a scholarship for playing football," Linda recalls. "At the same time it got a little stressful during the recruiting process." Linda says coaches tended to call at odd hours of the day, sometimes as early as 6:30 in the morning and as late as just before midnight.

Universities across the country are hungry beasts in search of new fuel for their programs each year. Coaches can turn on the unctuous charm at the drop of a dime during the recruitment process. Occasionally, a family can see right through the smoke. "I think some of the other schools were trying to kiss up to us," Linda recalls. "When Barry Alvarez and his coaches came here, they were pretty upfront and honest. He was interested in B.J. because of his speed, his natural talent. It was pretty crazy. When the phone stopped ringing, I didn’t realize what it was like to not have a phone ringing in my ears."

Linda says Alvarez came to the Tuckers’ home with a couple of other coaches. "Barry Alvarez told me I have a lot to learn," she admits. "When he was here he asked me, ‘You don’t even know what a nickel defense is, do you?’ Defensive back is a tough position to play. One of the coaches said defensive back was as hard as quarterback."

The road for Booker Stanley, a highly touted running back, required him to make some critical decisions early. "After my sophomore year I recognized that I might have a chance to play in college so I worked my butt off to get into a good school," Stanley explains. "Barry Alvarez offered me a scholarship so all of the extra school work, the running and working out I did over the years paid off." Throughout this past summer, Stanley got a chance to condition with the team and bond with the players. "It made coming to camp that much easier knowing everybody. People told me what to expect, what not to expect, how to approach things," Stanley said. Booker Stanley was officially "red-shirted" for the year. He is a part of the team, but will not play this year. He gains another year of eligibility while learning the system.

Evan Engstrom’s situation is quite a bit different. Unlike Tucker and Stanley, Engstrom isn’t attending Madison on a football scholarship. "I didn’t have a lot of hype coming into my senior season," Engstrom says. Engstrom proved to be an enterprising jock, sending his personal statistics to people who could contribute to his future. "Just to get my name out," Engstrom explains. "I sent out what I could do to local coaches. I went to a couple of camps and let the coaches know what to expect. I went to three camps, Northwestern, Wisconsin and Iowa. Northwestern was probably most interested. They called, visited, did the whole recruiting angle. Iowa was a little less interested," Engstrom admits.

"Evan’s not a one dimensional kid as you can see from the academic side," says Reid Engstrom, Evan’s father. "Going to a good school was very influential. Wisconsin and Northwestern were good schools. We’ve talked about postgraduate work. If he is red-shirted, he can potentially go on to one year of graduate school financed by a scholarship."

"We support Evan," adds Peggy Engstrom. "We don’t want him to look back someday and ask himself if he ever had the talent to play college ball. It’s been hard. Not getting the strong looks from some coaches and schools, but he’s hung in there. He puts his stats and interest on the line, but if it doesn’t work out there are other options."

"Most kids that walk on are usually very smart and hard
working," says Joe Wieland, Engstrom’s and Stanley‘s coach at Whitefish Bay. "They don’t get a lot of recognition. Evan is
hardworking, intelligent and has great leadership skills. You only had to tell Evan something once. He would make a great coach one day if he decided to go that route."

Getting named to the squad is the first step. Once you’re there, the real work begins.

It’s not all fame and backslapping when you reach this level of competition. Tucker lost his starting job as defensive back last year. "I didn’t think I was ready at that time," Tucker confesses. "As you get older and want to be on the field, you start to take things a little more seriously. Getting that rest, whatever it takes. Right now, I’m looking at being a starter and a leader, so people see me as a role model. I pretty much have to play that role."

Stanley may be new to the Alvarez regime, but he’s learning fast. "Barry is a tough guy. It’s the little things that everyone looks at," Stanley explains. "There are a lot of athletes here, but guys need to finish plays, come on time, all the little things." Stanley says he thinks he and fellow freshman Dwayne Smith are ready to get into the game. "Dwayne and I want to come out and show what we got. I’m looking forward to getting on the field."

A few seasons under a player’s belt can make all the difference in the world. "As far as football is concerned, the jitters are all gone," Tucker says. "Now it’s all about playing and helping your team win. To win a bowl game, to win a championship. The younger kids are just trying to be a part of the team. I’m one of the guys that’s expected to go out there and do something to help our team win."

Tucker says in the Big Ten, the pressure is always there. "If you’re not living up to your expectations, the coaches will put someone in your place," Tucker explains. "You know you want to be on the field, and you know you’re capable of being on the field, if you have a bad practice, you can lose the spot," says Tucker.

Players understand they have to keep their grades in line if they expect to stay eligible to play. Tucker says football has enabled him to become a better student. "If I had just school to worry about, I’d probably be doing a lot of things in my off time I really don’t need to get into. Football helps you get away from a lot of things like that. The little time you have off you want to get some school work done." Tucker says he had to stay in Madison during the summers for football anyway so he saw it as a chance to study. "Being part of the program enabled me to stay focused. I think that’s very true."

Tucker is just 26 credits away from his degree at Madison. That accomplishment hasn’t been lost on Linda Tucker. "I don’t know if he gets it, because we’re still working on him," she laughs. "He knows that there are options. The NFL is what he’d like to do, but he knows there are other options out there for him."

"First and foremost I want to work hard in school," Stanley says. "In high school, I needed to pick up my grades because I was kind of slacking off a bit during my freshman and sophomore years. I’d been in the Whitefish Bay school system since I was in the third grade but it was a matter of buckling down and doing it. In high school, I think the teachers were supportive. They were with me one hundred percent. At one point I wasn’t academically eligible to come here but they showed me how to do it. I went and worked my butt off, now I’m here, having fun, so it all paid off.

"Back in high school during my senior year," Stanley continues, "I’d look forward to taking some tests because I knew darn well that I was going to get an ‘A’ on the test because I studied my butt off to get it."

B.J. Tucker’s entire recruited freshman class is already gone, either through transfer or attrition. "When you’re given the opportunity, you have to make the most of it," Tucker says. "Some kids don’t stay focused, they’re worried about what the coaches think of them and why they’re not playing right away. They’ve got to realize they are still young and have a couple of years left. That’s how I looked at it."

There is a certain amount of fame and notoriety that comes when you are a Badger. "Coming in as a freshman, I think you kind of want to be noticed," Tucker admits. "You want people to know you’re on the football team. The older you get they know who you are and say hello. Sometimes it’s hard not to be rude, but if you’re with your friends and someone comes up to you who doesn’t really know you, it can be tough."

Tucker, Stanley and Engstrom could have chosen other schools to play football, but each chose Wisconsin. "It was the right choice," Tucker says. "I have a lot of family support out here, it’s the biggest support I could get. If I made a mistake, they were right down the street and I could talk to them. I could pick up the phone or come home for the weekend."

"It depends on the person," Stanley says. "If you don’t care if you’re far away from home, it’s all right. Some kids may need to see their parents, family or friends every once in a while. If they live in Texas, Florida or California, that can be hard, that‘s a long way. I’m glad I’m here. I talk to my mom every day and every other weekend I go home and talk to her."

Engstrom’s selection of Wisconsin had a lot to do with the school’s history of giving a serious look to walk-ons. "Once the season starts, through the season they will give me an idea of how things are going," Engstrom says. "They’ll probably red-shirt me. You’d like to see yourself higher, but it’s an opportunity. There are tons of Wisconsin walk-ons that have made the team. Look at the history of Wisconsin walk-ons. They’ve always done real well."

Engstrom says there are different versions of "Rudy," the title character in a film based on a true story that depicted a walk-on player at Notre Dame. "There are two ‘Rudy’ types," Engstrom explains. "Those that don’t have what it takes athletically, but they have the heart. They are there to be practice players and that’s OK for them. Then there is a category of guys who due to injury or some other factor didn’t have the opportunity to earn a scholarship. I’d like to think of myself in the second category."

"Evan Engstrom is a great guy," Stanley says. "Unfortunately he didn’t get to come up to camp with the team. He’s going to be walking on here and hopefully the coaches get to see what kind of player he is because he’s a really good player and he really works hard. I think that the reason why he didn’t get looked at as hard is because Whitefish Bay isn’t really looked at as having a great football program. I’m looking forward to him coming up here, he’s phenomenal in the weight room, and he’s just a good guy."

Who else, besides family, got these kids to this level? "Coach Wieland was very influential," Stanley praises. "I don’t know where to start, he was such a great guy. Without him, I wouldn’t be in this situation. He was one of the people that helped me get here. He took me in as a freshman, he took me under his wing and taught me things like a father figure."

So, where does all of this lead? Is playing football on a Big Ten stage enough, or is playing in the NFL the only thing that will satisfy these players? "This is my last year of eligibility," Tucker says. "I’m a starter and I’m going to try to help our team win the Big Ten, hopefully go to a bowl game. You always have a chance to go and work out for a professional team if they invite you. I don’t really know how the process works. Either way, I think I’m prepared for what comes. I can be done with football this year. I guess I’m prepared for it ending, but if I don’t get injured, I think I have a chance to go pro."

"B.J. has seen most of the United States in the last few years," Linda Tucker adds. "He played as a freshman in the Rose Bowl. He got a Rose Bowl ring, three Big Ten track championships."

Young Booker Stanley has his sites set on finishing school at Madison. "Graduating from college, getting a degree, secondly, having a good career here in football is how I want to be remembered at Wisconsin," Stanley says. "They don’t have architectural design as a major right now, so for the moment, I’m undecided as to a major."

Evan Engstrom may possess the most poetic vision of them all. "You have to be willing to try it. To give anything less than your best is to sacrifice the gift,"’ Engstrom says. "Whether it’s athletics or academics, I want to be able to say, I did what I could, I gave it what I had."


 
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The guy in the white hat

By JIM CRYNS

November 2002

Mike Carollo says the best compliment an official can get is silence.


Shorewood’s Bill Carollo is an NFL referee entering his 14th season. That’s a considerable amount of time in a profession where career longevity can mirror that of your average housefly. "We only have one-year contracts," Carollo explains. "Referees and umpires may think they’ve finally made it, but if we don’t do well, we won’t be back."

Carollo started his referee career by doing games in Shorewood and Whitefish Bay. "I worked in the Big Ten for about ten years," Carollo recalls. "The NFL sends scouts to the games to look for referees. The NFL gets about 2,000 applications each year, and selects about eight to ten guys each year." On the field, Carollo is like the home plate umpire, without the chest-guard.

It’s a difficult profession that is often thankless. "No matter what, half of the people are going to think you got the call right, the other half is going to think you got it wrong," Carollo reflects. "You have to convince people that your call is right. You have to act and be confident. If you feel you’ve made the right call, you have to have the confidence to convince the players and coaches and fans."

The cruel fact is that coaches’ jobs and players’ careers often ride on referees’ decisions. "We all make mistakes," Carollo says with an air of quiet dignity. "It’s understood that a call can have ramifications that go well beyond the playing field, even impacting participants’ lives."

During the season, the schedule of an NFL referee can be rather taxing. "It’s a year-round operation. We have written tests throughout the off-season," Carollo informs. "I spend about a half hour to an hour every day on the rules. I know the rules, I’ve read them many times, but from year to year, you have to keep studying them. You can’t say, ‘I think the rule is this,’ you have to know it. You have to react to the play, so you have to stay sharp."

Carollo says there is a perception that referees and umpires are idiots. Truth is, an idiot wouldn’t last long in this gig. "You almost have to be a Philadelphia lawyer to figure out the rulebook. It’s very complicated," Carollo explains. "That’s why officials really have to study it, to really know it. There are degrees of knowing. You’ve got to know the rules inside and out. You have to know the history of the rule, the philosophy behind the rule."

The work continues following the game. Carollo spends a couple of hours on Monday morning reviewing the previous day’s game. He’ll review three or four plays in particular. "We may have had a call right, but I want to know why we had to take so much time determining the procedure," Carollo says. "I’ll get a call from the League office and they’ll tell me Mike Sherman may be calling about a couple of plays in particular. They’ll give me a ‘heads up.’" Carollo says he knows which plays are controversial at the time they happen. The players will tell him, the fans will tell him, or he’ll tell himself.



Footy and froth

By JIM CRYNS

September 2002

After a game of "footy," be ready to "blow the froth off a couple."

It’s nothing like the American type of football we’re used to watching. And, "it’s nothing like rugby," says Paul O’Keeffe, footy player and
public relations director for the Milwaukee Bombers. "Footy is comprised of a combination of elements that doesn’t resemble any other sport."

The Milwaukee Bombers is a footy team that plays Australian Rules Football on Milwaukee area fields. "Footy" is much faster and higher scoring than football. The contest is fluid, with no line of scrimmage. "There’s a ball advancement called ‘handballing,’ as you might see in volleyball," O’Keeffe explains. "There is a ‘ruck contest’ which resembles a tip-off in basketball." Footy focuses on the pursuit of the ball; there’s no padding allowed and players don’t hit nearly as hard as they would in a football game. Most games are played at Kletszch Park on N. Milwaukee River Parkway.

Here’s how the game works. A match is divided into four 20-minute quarters. A goal is scored when the ball is kicked through two goal posts, just like a field goal. Goals are six points each. The team in possession of the ball works to advance it by either "handballing" it (volleyball style) or kicking it downfield. They may also run with the ball, as long as they bounce it every ten meters. A team scores six points for kicking the ball through the middle of four posts and one point for kicks inside the outer two posts.

Australian Football has a club-based structure. The Bombers will sometimes gather at Mini’s on Green Bay Road after a game. "It’s a grassroots game that allows players to interact with the Australian culture," O’Keeffe relates. "Guys go to a pub after the game and have a beer together. Right now the footy teams in this country are comprised of about 70 percent American players and the remainder Australians." Since 1997, the league in the United States has grown from eight to 35 clubs today.

It’s not essential for an individual to have ever played a sport before, much less starred in a sport in school or college. "We don’t have players try-out for footy," O’Keeffe explains. "All we ask is they ‘turn up’ at practice. If you turn up for practice you’ll play in the game.

"We don’t talk a lot about fitness," O’Keeffe says. "Training is relatively easy, but you should be prepared to run about for a fair amount of time." These guys as players run an average of 12 miles over the course of a game. Practices are held at MSOE’s Sports Field as well as Kletszche Park.

If you’d like to learn more about footy in Milwaukee, if you would like to attend a game, or even sign up to play, visit www.milwaukeebombers.com and take it from there.


 

Marketing the game

By JIM CRYNS

September 2002

Denise Kohnke helped organize the exhibit, "Big League Pitching: The Marketing of Major League Baseball."


There are two things that come to mind when you think American. The first thing is baseball, the second is business. You can have the former without the latter — that would be the equivalent of little league — but you can’t operate as a Major League franchise without knowing about business. That’s just the way it is.

An exhibit at the William F. Eisner Museum of Advertising and Design, titled "Big League Pitching: The Marketing of Major League Baseball," has both. "There is a sort of marriage between baseball and advertising. A commonality exists between the two, both literally and figuratively," says Denise Kohnke, a partner with Kohnke Hanneken, the firm that helped organize the exhibit.

When you walk into the exhibit, open until Nov. 3, you are immediately struck by a thought-provoking image. A large green-colored piece of plywood has been impaled with baseballs. "It encapsulates everything that is in this exhibit, all you should be able to take away from this. The struggle, questions, the art, the science, it’s all in there," says Kohnke. "It’s both an art and a science."

Kohnke explains the idea for the exhibit was born last year and says the Eisner Museum was delighted to have an exhibit that would last the whole summer. "This was something consumers could get something out of, and like, and relate to," Kohnke explains.

The print ads adorn most of the wall space around the exhibit. They have life, and they’re funny. You can relate to them. "Baseball fans will love it. Anybody that comes off the street will have a good time. They don’t have to love baseball, museums or love advertising to enjoy this exhibit," Kohnke exclaims. Even if you’ve never gone to a museum, you can relate to the Eisner Museum on some level. "It’s a very interactive museum," Kohnke says. "You don’t have to know about renaissance art because this exhibit deals with what you see on television every day. It’s what you get in your mailbox every day."

The people that put this exhibit together want you to know the exhibit focuses on all Major League teams, not only on the Brewers. "We asked all teams to submit works," Kohnke explains. "Only half of the teams had something to offer, and only half of those teams had something that we used. We really only used the best of the best."

The manner in which teams advertise their product has shifted over the years. "The good stuff really tries to hit you in an emotive place," Kohnke says. "The advertising touches
an emotional cord, whether it’s from last year or from when you were on the playground. Humor does it too. I’m not saying it has to be sappy to be emotive."

 
 
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The runnin' of the buns

By JIM CRYNS

July 2002

So recognizable are the racing sausages at Miller Park, a visiting Canadian journalist in the press box recently asked me in broken English, "do they still run races with the meats?" "Yup," I proudly replied, feeling the boost of adrenaline that only international notoriety can offer.

"At the end of the sixth inning," I reminded him, still flush with local pride.

Brewers’ left fielder Geoff Jenkins ran in the sausage race as he was about to come off the injured reserved list. "It was the perfect time for me to do it," Jenkins said, who’s known more for his hitting prowess than he is for running around in sausage casings. "It was fun, something to do while I was injured," he reminisces, smiling, as if reliving the glory of the race before my eyes.

In the early ’90s, the races began to appear on what the Wizard of Oz would have referred to as the "clinking, clanking, clattering, collection of caliginous junk" known as the scoreboard in the old County Stadium. By the mid ’90s, Brewers vice president of marketing, Laurel Prieb, knew the organization had something. The sausages as we now know them emerged from left field on Sunday afternoons, and as Prieb relates, "we didn’t anticipate the appeal would go beyond kids." Originally the races were scheduled based on youth-appeal. "We used the calendar on a selective basis to determine when more kids would be in the stands." In 2000, the last year at County Stadium, the sausages began to race every game day. "Actually bringing them off the scoreboard might have started as a joke," says Prieb. "The more we talked about it, the more we thought, why not? Let’s be the first. We haven’t regretted it yet. They’ve become celebrities statewide, kids ask for autographs."

This is where my journey begins. I’ve written a few articles on behind the scene topics with the Brewers. What it’s like to work in the visiting clubhouse, watching a game with Bernie Brewer from his chalet at County Stadium. I thought this to be the natural progression in George Plimpton-like experiences.

On the evening I ran the race, the Italian Sausage was represented by a Chicago Cubs batboy. Other participants in my race? A male cheerleader for Marquette University and a female Marquette student, both members of the "Superteam." (The Superteam does all of the fun stuff around the park like throwing T-shirts to the crowd, corralling the foul balls during the game, opening and closing the roof at unscheduled times for laughs.)

I was escorted to the dressing room at the top of the 4th inning.

After a couple of innings of small talk, it was time to put on our sausage suits. I had chosen the Polish Sausage a couple of days earlier, not because I was impressed with his look, (in retrospect, I would have chosen any of the other three before the Polish) but more for the fact that I enjoy Polish Sausages, and the Brewers’ photographer wanted to make sure a picture was taken of the race for posterity.

The facial expression of the Polish resembles a guy that could use a dose of Metamucil more than it does a sausage trying to win a race. Sunglasses, red and blue stripes on his shirt, blue pants, I looked like a goof.

My first thought as I squeezed myself into the costume, was claustrophobia. Really. This was a cramped tube with shoulder pads, and the whole thing clung to me like a wet body-girdle. Feeling like an 18th century courtesan bound in a corset, I struggled for breath. I didn’t want to appear like a novice, but this was a tight fit. And the rig was heavy. I was told that the costume weighed in at about 25 pounds, but it felt like more. All top heavy and in limited control of anything above my shoulders, I felt like Dolly Parton without the hair.

Superteam spokespeople have the costumes at a towering 7’ 3" measuring from the top of the costumed head to the top of the knee of whomever is running the race. That made me about 9’ 3" in sneakers. I had nightmares of ending up like the bull mascot in the movie Bull Durham, getting drilled with a fastball as I ran behind home plate.

"You can’t see in those things," Geoff Jenkins remarked. Truer words were never spoken. Once inside this huge cigar case, you’ve got a grid the size of a cantaloupe in front of you. It’s like looking through a pasta strainer. I couldn’t even see my arms at my side. I spent some time testing the weight distribution. A little tilt here, an adjustment there. My glasses fell off in the corridor leading to the left field entrance. I should have recognized this as an omen.

The four of us entered the pen in left field at the top of the sixth inning. We weren’t scheduled to race until after the inning was over. You have to get there early because there could be six quick outs, and you don’t want to be caught in the dressing room with your lederhosen down around your ankles. Two of the more experienced sausages started to warm up by running back and forth around the Harley Davidson motorcycle that goes out during pitching changes. I mimicked their actions, not wanting to look like the odd sausage out. We introduced ourselves to each other, talked about racing protocol, where we would start and finish.

We tried to be cordial, but it was clear we didn’t like each other. Soon we would be competitors. Like any red-blooded American, I wanted to win. When I saw the Marquette cheerleader warming up, I knew I was in trouble. That’s when I knew they weren’t going to let me win.

The last out of the sixth inning was made. I was getting nervous.

We were ushered out onto the field.

I started moving in exaggerated and "cute motions" that I’d seen other sausages do in years past. Jogging in place, jogging backward and forward, flexing my muscles. Somehow, I knew the race was about to start. I leaned forward, trying to get an edge.

Then the race started. At that moment, I couldn’t see anything except the reddish gravel on the ground before me.

I remember not wanting to look straight ahead in fear I would lose my footing, but I knew I was in the lead. But not for long. One of opposing sausages began to cut in front of me. "Fair enough," I thought, this is a race. Then another. You’re cognizant that you are running, but your mechanics are all messed up. I couldn’t really hear the crowd, and I didn’t dare to look up.

When we reached the visitor’s dugout, my glasses fell off. Not the Polish Sausage’s glasses, my glasses. I’m not completely blind without them, but it didn’t do wonders for my concentration in the race.

Sweating, my heart pounding, winded, disoriented, a little frightened. In short, it was like I was reliving my marriage vows. The other sausages had been toying with me, I realized. They sprinted around home plate and across the finish line. They were slapping hands with fans by the time my casing crossed the finish line. I came in third, as I narrowly beat the girl in the Hot Dog suit. I didn’t really mind losing. I waved to family members on the right field side of the stadium. I needed help pulling off the costume as I arrived under the stands, panting heavily. I felt a sense of accomplishment in not falling on my face, despite being decisively beaten by a cheerleader and a batboy. And I’ve got a picture to prove it.